
Graveyards are often a place of remembrance, but also of mourning in the U.S. When visiting the final resting place of the deceased, Americans often take a solemn approach to interacting with grave-sites. Our visit to Der Friedhof der Dorotheenstädtischen und Friedrichswerderschen Gemeinden (Cemetery of the Dorotheenstadt and Friedrichswerder Parishes) was quite opposite of a solemn excursion. The cemetery did not have the solemnity usually noticed when visiting American graveyards. People not only came to pay their respects to the departed, but also for calm reflection, relaxation, but also to simply serve as place to have a quick lunch. Initially our meandering through the cemetery was focused on finding the resting place of Bertolt Brecht, but throughout the exploration much more was discovered.

The Dorotheenstadt cemetery is a protestant cemetery positioned immediately next to the Brecht House and holds graves dating from late 18th/early 19th centuries. The land was originally donated by Prussian King Frederick II the Great allowing for four localized cemeteries. The Dorotheenstadt and nearby French cemetery were the only cemeteries to last into modernity. The cemetery faced some hardships in the early 20th century including theft of grave ornamentation and damage to structures sustained during the Second World War.

Though the cemetery was under protection as a cultural landmark since 1935, it was only listed as a landmark in 1983. Since that time a total of 38 graves were restored for Dorotheenstadt cemetery, and the estimated future cost to continue restoration would be near €6 million.
As we walked past the many headstones, we noticed a small red brick marker accompanying only certain graves. These bricks, marked with “Ehrengrab Land Berlin” and the Berlin coat of arms, were placards of honorary recognition for those that contributed greatly to the politics and culture of Berlin. One such receiver of the “Ehrengrab” was Augustus Wilhelm von Hofmann, an important figure in organic chemistry and the founder of “die Deutsche Chemische Gesellschaft” (German Chemical Society). In the cemetery is a monument dedicated to those killed after the failed assassination attempt of Adolf Hitler on July 20, 1944. Also in the cemetery is a placard memorializing those killed during the war that had been placed into a nearby mass grave.


While we spent a reasonable amount of time visiting Dorotheenstadt cemetery and the Brecht House, a much longer time was necessary to fully appreciate the scope of the area. Unfortunately, the majority of the Brecht House was closed on our visit, but we were able to learn more about its history from the information area in the foyer. The Brecht House was the final apartment of Brecht and Helene Weigel, with the latter overseeing the future of the house and Brecht’s legacy until her death in 1971.
Bertolt Brecht wished for a simple grave, which was granted through a uneven rock slab with only the words ‘Bertolt Brecht’ placed upon it. It could be seen as ironic that we, as so many others have as well, came to pay homage to a man who had not aspired for postmortem recognition. While not the recipient of an ‘Ehrengrab’, Brecht was still a powerhouse of influence in German theatre culture. We came to see one man’s grave, but in that journey we were exposed to the sacrifices and achievements of many others located there as well.
Written by Luci and Ben.















